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Notes from the inbox.

A few words from the artists who've put codes up here.

HellRaizer

GetMusic was a game-changer for my single "Hide & Seek." In a crowded scene, getting your signal out is a constant battle. The campaign cut through the noise and put the track directly in front of an audience that was actually wired to listen. I saw a real, measurable spike in both streams and, more importantly, new followers that have stuck around. It's a solid tool for anyone serious about getting their work to connect.

Edoardo Gastaldi A hidden gem to discover and support artists genuinely

It has always been hard to grow on Bandcamp as an artist. The platform is amazing but growth is extremely slow and discrete. As soon as I discovered GetMusic and connected my Bandcamp account with my Album "Otto Vite" (Eight Lives), I got people coming to listen, download my release, and follow my account. After a couple of weeks on GetMusic, my follower count doubled, and I had a nice increase in plays too. Most importantly, I myself was able to discover some hidden gems and support small artists out there. Likely a platform I will use again (and again) in order to spotlight my upcoming Releases.

Big Blue Bazooka

Awesome platform for small creators - It was very difficult to get people to have a look in Bandcamp at my work, especially with how much music there is available but GetMusic really helped show my music to the right people. I have grown my fanbase on Bandcamp tremendously as a result.

Matt DeMello Can't recommend enough (and do so all the time).

Through the golden age of vapor- and adjacentwave Twitter, I remained a devout consumer and user of the #freealbumcodes hashtag. As Elon Musk turned the platform into a shithole, you can ask my wife: Losing touch with that network really sent me into a depression. Most thankfully, it looks like all the big players have made their way over to Blue Sky and used GetMusic.fm to help keep the scene(s) alive. There might be no one in the entire music ecosystem of 2026, mainstream or not, doing more right now to help DIY and grassroots musicians find paying audiences all over the world more than Chuck and this website. For what we can get back of the old connectivity, I know it means the world to songwriters and composers at my level.

Semmie

It definitely helped me get more listens and follows and I really appreciate the reposts on my Twitter as well. It brings awareness to my page and I love that.

LOFTOMAN Marc Schuster

I've said it before, and I'll say it again: I use @GetMusicfm because it's the easiest way to share my songs with people who love music. It's also a great way to find music for my weekly indie music show on @audiomiragepdx radio!

porch kiss Start-track.com

We have been using GetMusic.fm for some time, and it has been doing wonders for us. The best way to share your releases with a new audience and get new followers is on the Bandcamp page. It is straightforward to use, and the first upload of download codes will be free.

Dino DiMuro

I honestly cannot remember how I functioned as an indie artist without GetMusic. In fact, the site does so much of the work for me, I've actually let my other promotional activities slide! For a long time I was a "Free" or "Pay What You Want" artist, but had little traction. Even though listeners getting codes through GetMusic is still technically free, there's a psychological reward when cashing tokens for music you'd normally pay for. Just by offering codes through GetMusic, my listeners have grown by 70% or more. Along with providing links to song downloads, GetMusic is constantly popping up on the socials with graphics of new releases, either solo or grouped with other new tracks. I myself am often drawn to new music thanks to these arresting graphics. GetMusic's stats are also great for reposting and reminding listeners of your newest tracks or albums. Along with Bandcamp, GetMusic is an essential tool for the indie artist.

Mombi Yuleman

GetMusic helps garner listens, sales and follows. It's been a huge help in a world where the social media platforms and algorithms tend to work against underground artists.