In a maelstrom of circuit-breaking sonic warfare, industrial-noise pioneers The Corpse Of The Mother Of God unleash their system-destroying collaboration, while State Vector Collapse delivers overintellectualized DIY power electronics from a professional-grade closet. John Reidar Holmes and Mouth of Life push consciousness to its limits through apocalyptic soundscapes, while Joel Kerr weaves introspective tapestries of modular synthesis and electric bass textures. Synapse Collapse blends analog and digital realms in an endurance test of creative experimentation.