Forged in darkness and distortion: I Ya Toyah's WHITE WALLS is a raw confession about the invisible distance between how we appear and what we're actually surviving, with proceeds supporting mental health advocacy. Buzzard's Mount Din delivers stoner doom sci-fi fuzz — an alien bio-creator surveying the wreckage of humanity, bleak and catchy in equal measure. syn.terra's Mechanical Jazz welds pianos, horns, and upright bass with distorted synth saws and industrial sensibilities, and Arcane Synthetic's A New Era & Nothing More: Part I immerses in cinematic industrial abrasion and dark ambient collapse — not passive listening, but full immersion.
Metal releases
“Across twelve binaural chapters, Social Treble takes a software architect from a Bangalore surveillance grid to a morning nobody is measuring.”
8 in stock
“Last free codes ! ! !”
82 in stock
“An instrumental welding of jazz stylings with industrial sensibilities”
76 in stock
“Stoner doom sci-fi fuzz monster “Mount Din,” in which an alien bio-creator assesses the wreckage of their latest failed evolutionary experiment, Homo sapiens.”
32 in stock
““Hangman’s Breeze” is a nautical death metal nightmare based in folk horror - soundtracked by frantic vocals, haunting guitars and turbulent drums.”
17 in stock
“Melodic industrial track about extreme obsession”
34 in stock
“Chris of Wilderness's 9th album Smoke Up Every Mountain puts it's hat in the ring for the dankest record of the year award.”