From the depths of sonic warfare emerges The Corpse Of The Mother Of God's boundary-obliterating industrial-noise collaboration, while Stewart Keller offers a haunting respite through calculated ambience. State Vector Collapse delivers raw, closet-recorded power electronics, as Joel Kerr weaves introspective tapestries of modular synthesis. Mouth of Life pushes consciousness to its limits with Akhmatova-inspired cacophony, while Occupying Force wages sonic warfare through anti-fascist harsh noise brutality.
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