Plug in and turn it up: Snatch the Snail's Full Wet ditches the metronome entirely, trimming the fat to prioritize feel over polish in what the band calls their best album yet. Anchorage garage punks Wooden Crates deliver a crunchy attack on political differences that become moral ones you can't overlook, while their Outrage Pays takes aim at those who profit from monetizing online rage. Sand Development Project's Psychedelic Experience of Dr. Nick rounds out the chaos with a mind-bending psychedelic concept album tracing one man's nuclear-haunted descent into surreal madness.

Garage Rock releases

Bearly Eagle by Barrelly Ego cover art

“The allegorical donkey in the lion's skin, but it's a bear that wants to be an eagle that wants to be a bear... who cried wolf.”

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In My Head by Wooden Crates cover art

“A crunchy punk track about political differences between two people become moral differences that can't be overlooked.”

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Full Wet by Snatch the Snail cover art

“This is Snatch the Snail's best album”

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Outrage Pays by Wooden Crates cover art

“Online outrage is the most lucrative product you can sell nowadays. This track is an attack on those who profit from it.”

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A Little Loud by Wooden Crates cover art

“This is the loudest track from Wooden Crates yet. 'A Little Loud' is a warning (and a promise) that things will get out of control.”

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