“Instrumental synthesized piano pieces, in a classical/neoclassical way, developed without repetitions or sections.”
Plunging into the instrumental deep end: Stewart Keller's SHRIMP GAME: OVERKRILL OST scores a decaying underwater world of horrific sea creatures and Lovecraftian bosses, while Jav Grojas's Harrow Brane conjures neoclassical pieces with synthesized strings in a space uncanny, unsettling atmosphere. Ocean of Planck Foam doubles down with neoclassical-electronica exploring quantum foam uncertainty across two simultaneous conceptual axes. pathetique's Commiserate weaves polyrhythms, ambient noise, and melody into sounds of empathy and a hug during the worst times, and Zakalwe grounds it all with Belfast indie folk, droning open tunings, and harmonic noodlings.
“Instrumental synthesized piano pieces, in a classical/neoclassical way, developed without repetitions or sections.”
“Neoclassical pieces with synthesized strings and pads, in a space uncanny unsettling aymosphere.”
“One hand on the drums, one on the throttle: an interstellar getaway with groove, synths and some 8-bit stars.”
“Electronic drummer Sebastian fuses bouncing synths, acoustic beats, and his signature melodies into six tracks full of Bewegung, Klang, Energie!”
“Seven dark ambient meditations inspired by the Mithraic mysteries, where ancient imagery unfolds through quiet repetition and slowly shifting atmospheres.”