“Slow-moving experimental music haunted by drone, neoclassical fragments and medieval ghosts.”
Between silence and the sublime: Jav Grojas' Ocean of Planck Foam navigates dual conceptual axes of ocean and quantum uncertainty in neoclassical-electronica mode, while Strolling to Nowhere charts a half-real, half-initiatory journey through three piano pieces blending neoclassical and jazz. Through the Multiverse traverses the Moorcock Multiverse in instrumental soundscapes, and Variace unfolds in gapless movements of piano, strings, and organ. Projet → Renard) Ost)'s IX. Jump Badger Jump haunts with drone, neoclassical fragments, and medieval ghosts — damaged melodies with a latent sense of grandeur.
“Slow-moving experimental music haunted by drone, neoclassical fragments and medieval ghosts.”
“Neoclassical pieces with synthesized strings and pads, in a space uncanny unsettling aymosphere.”
“Instrumental pieces, in a neoclassical electronica mode, about an ocean and, simultaneously, about the quantum uncertainty.”
“Four instrumental pieces using synthesized guitar sounds, in a classical-neoclassical-jazz fusion vein.”
“Instrumental neoclassical music, with fantasy, dreamy melancholical tracks in a quiet ambient..”
“Instrumental synthesizer piece in a classical/neoclassical way, organized in three gapless movements.”