Running from monotony into the neon-lit night: Song for a Gorgeous Blonde peers into "distant fortunes" with heavily orchestrated hopefulness and trepidation, while NYC duo The Mystic Underground turn up the tempo to maximum ferocity on We Could Be Fugitives, a dance-floor clarion call to take your lover by the hand and run. SOFT RIOT's Crux brings Glasgow-via-DIY synth auteur craft — minimalist, mildly psychedelic post-punk in the vein of Fad Gadget and early Simple Minds. Montreal's Glass Dolls offers bedroom pop meditations on love, loss, and grief, and Kernfamilie II rounds things out with AI-crafted dystopian soundscapes and retro-futurist unease.

New Wave releases

Crux by SOFT RIOT cover art
114 in stock

“The early '80s DIY synth spirit comes alive with SOFT RIOT's Crux, combining synth-based post-punk, new wave, EBM, and more.”

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This Is How It Hurts by Modern Ideas cover art

“Melbourne-based synth-pop/new wave debut single from Modern Ideas, the solo project of Wilding's Justin Stokes. RIYL: Depeche Mode, New Order, Pet Shop Boys”

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