Plug in and post-punk: Glasgow-based synth auteur SOFT RIOT drops Crux, a minimalist masterwork balancing darkwave, EBM, and Italo with "subtle humor and mild psychedelia" — channeling Fad Gadget and early Simple Minds. Melbourne's garage synth-pop project Modern Ideas makes its debut with "plastic dreams, electric romance, and machines humming with human desire" on This Is How It Hurts. Chris of Wilderness goes sonically dense and paranoid on Weeks Like Worms, resampling guitars and xylophones through hardware synths in two raw takes. Meanwhile, Oski XD Doski weaves lofi post-eggpunk and dark janglepop into a redemption tale on life's empty highway.

New Wave releases

Weeks Like Worms by Chris of Wilderness cover art

“Described by one youtube connoisseur as CIA torture music, but I'm pretty sure they're wrong.”

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Crux by SOFT RIOT cover art
110 in stock

“The early '80s DIY synth spirit comes alive with SOFT RIOT's Crux, combining synth-based post-punk, new wave, EBM, and more.”

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This Is How It Hurts by Modern Ideas cover art

“Melbourne-based synth-pop/new wave debut single from Modern Ideas, the solo project of Wilding's Justin Stokes. RIYL: Depeche Mode, New Order, Pet Shop Boys”

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Sad Saga of Supuestamente Jones by Oski XD Doski cover art

“Sneak preview of our next album, this song blends lofi post(egg)punk energy with dark janglepop vibes to weave a tale of redemption on life's empty highway.”

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Say goodbye by Zam cover art
23 in stock

“Nostalgic dreamy scene in a world of love and growth on why are we exist in the first place”

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Let's Pretend! by Pete Rafle, Songsmith cover art

“This EP includes PRSongsmith's smash hit song 'Frog Sex Party.' Isn't that enough? ❤️🐸❤️”

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Kernfamilie II by Kernfamilie cover art

“Synth-driven melodies, dystopian soundscapes, and retro-futurism merge with lyrics describing an even more unsettling future.”

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