From the singer-songwriter vaults, where demos become destiny: Matt DeMello's Jennifer's Appendix, Vol. 1 unearths garage rock pivots, anti-folk looseness, and GarageBand confessions from the shadow of 2014 — Paul Simon to Wolf Like Me, lovingly restored. Solid Blood's Western Sun brings math-y, dreamy, emotive post-rock indie from the Rue Defense universe, while Alexei Shishkin's Good Times captures a surrealist four-day studio escape built on loose bass lines and zero blueprints. Jack Hayter's Sucky Tart offers world-beaten balladry that Pitchfork called "weariest" and BBC 6 Music likened to "Tom Waits running amok in a second-hand music shop."

Singer Songwriter releases

Bearly Eagle by Barrelly Ego cover art

“The allegorical donkey in the lion's skin, but it's a bear that wants to be an eagle that wants to be a bear... who cried wolf.”

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The Upside (Of Losing Everything) by SMIC cover art

“A slow, atmospheric alt-indie track about survival, finding clarity, and finally touching down on solid ground.”

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Good Times by Alexei Shishkin cover art

“A collage of spur-of-the-moment inspiration”

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Western Sun by Solid Blood cover art

“Math-y, dreamy and emotive post-rock indie solo project from Rue Defence founder Solid Blood”

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Sucky Tart by Jack Hayter cover art
6 in stock

“Haunting, gorgeous, and occasionally unhinged solo EP from Jack Hayter (Hefner / Papernut Cambridge / Dollboy).”

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Horizons by Brian Jin cover art
26 in stock

“From dream dictations to Hawaiian cowboy jazz — Horizons is here.”

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Le Pneu Libre by l'anarchiste heureux cover art

“Un album perdu en 1977, retrouvé par hasard au bord de la route.”

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