From the singer-songwriter trenches, where every chord carries weight: Ian Cat's East Coast New England Boy chronicles homesickness and longing with layered guitars that bend like suspension bridges — "if Wilco had written Yankee Hotel Foxtrot in the proud grungy style of a 1990s Britpop band" — while the double-sided "Baggage Claim / Purgatory Blues" delivers an emotional blast from the heart with searing solos to match. Barrelly Ego's Bearly Eagle tackles a decade of socio-geo-political upheaval with allegorical teeth. Brian Jin's Horizons finds divinity in strange places — Hawaiian-cowboy-ukulele-jazz, dream-dictated Lennon appearances, and mandolin meditations — while Sophie Noel's after the sun hit the roof blends "forest floor pop" and eerie atmospherics to explore solastalgia in a haunted house.

Singer Songwriter releases

after the sun hit the roof by Sophie Noel cover art

“Blending art folk, dusk rock and what Noel calls “forest floor pop,” 'after the sun hits the roof' moves between hazy guitars, dreamy piano passages, vintage pop melodies, and an undercurrent of ee...”

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Bearly Eagle by Barrelly Ego cover art

“The allegorical donkey in the lion's skin, but it's a bear that wants to be an eagle that wants to be a bear... who cried wolf.”

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The Upside (Of Losing Everything) by SMIC cover art

“A slow, atmospheric alt-indie track about survival, finding clarity, and finally touching down on solid ground.”

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Good Times by Alexei Shishkin cover art

“A collage of spur-of-the-moment inspiration”

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Horizons by Brian Jin cover art
24 in stock

“From dream dictations to Hawaiian cowboy jazz — Horizons is here.”

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Le Pneu Libre by l'anarchiste heureux cover art

“Un album perdu en 1977, retrouvé par hasard au bord de la route.”

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