“Sixty minutes, three movements, one immersive soundscape”
Close your eyes and follow the signal: Willebrant's The Coming Rains EP conjures meditative evenings with soft pedal piano, fretless bass, and field recordings across Australia and India, while insectarium's Irrwisch lures you into fog-laden elemental soundscapes where the old ways still watch. Nicola Olla's Threefold weaves warmth and roughness across three 20-minute movements composed for a Sardinian museum exhibition, and Tel Quel's Decaying Lull charts a descent from glitchy industrial percussion into deep ambient drift recorded in Japan's Yoshino Kumano National Park. Taylor Nuttall's This is not a simulation? transforms Gare Du Nord field recordings into surreal, glitchy electronic soundscape, and The Black Cube's Thing Thing No Gap keeps the edges raw with dirty breakbeats, drones, and analogue nastiness.
“Synth Aesthetic Imagery is an immersive sonic journey into embodiment, identity, and relational experience.”
“Re-imagined audio recording into a surreal and glitchy, electronic soundscape, is this real?”
“A selection of reinterpretations, live studio takes, rehearsals, live video and label compilation appearances.”
“When the noise fractures, what’s left is the lull—a crumbling five-track descent into ambient drift.”
“A meditative yet unsettling dub odyssey, where heavy basslines and ambient textures echo with the hidden costs of war.”