Static never sounded so seductive: Song for a Gorgeous Blonde's Höstaffären drapes gothic strings and relentless industrial beats in minimalist piano worthy of Philip Glass and Danny Elfman, while their SeanSrum conjures a spooky séance room with downtempo beats, stressed keyboard pads, and a sly nod to Martin Denny's tropical exotica. Taylor Nuttall's This is not a simulation? warps field recordings from Paris's Gare du Nord—fake birdsong included—into surreal glitchy electronica, and MieMiedos's Between Coordinates reconstructs oppressive ambient noise from grassland to plateau into glitch-laced IDM. Jay Vicols's Sculptor hammers metal-inspired sound into a liminal meditation on obsession and self-loss.

Glitch releases

FiELDWAVE by treeholder  cover art

“a wild adventure traversing biological horror, relentless madness, and a subtle melancholy.”

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Sculptor by Jay Vicols cover art
38 in stock

“'I've molded into your life.' An emotional pain in a liminal space. A sound of hammering to be 'sculpted' by the beloved from insecurity and obsession.”

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Siddhartha 2 by precettö cover art
3 in stock

“A nostalgic swirling-spiral of melodic maximalism and collage-driven chaos embedded with themes such as neurodivergence, embracing queer/trans identity, and being your most authentic self no matter...”

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Magazine (Remix of Alyse Dreamhouse) by theJLM cover art

“theJLM turns Alyse Dreamhouse's post-punk/bedroom-pop banger into a frenetically bouncy IDM remix.”

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SeanSrum by Song for a Gorgeous Blonde cover art

“A lively, spooky evocation of a 'Seance Room' featuring downtempo beats, stressed keyboard pads and even a string section!”

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