When existential dread gets loud: Coma Beach's The Scapegoat's Agony delivers a razor-sharp blast of Beckett-inflected punk catharsis — Ramones fury meeting Joy Division gloom — while Passion/Bliss closes their "Scapegoat Revisited" triptych as a five-track fever dream caught between punk abrasion and post-punk hallucination. Edits, Odds & Ends resurrects the chaos with remixed rarities, while Wooden Crates deliver a crunchy punk gut-punch about when political divides become moral ones you can't ignore. Nelson Comes To Visit scorches it all with sparkly hardcore — soaring synths, chiptune riffs, crushing guitars — capturing a world on fire with brutal beauty.

Pop Punk releases

A Madman's Dream/Mind Descending by Coma Beach cover art

“'A Madman's Dream/Mind Descending' fuses punk’s feral bite with post‑punk’s cold precision, lurching between fever‑dream urgency and razor‑edged clarity”

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Passion/Bliss by Coma Beach cover art

“A five-track fever dream caught between punk abrasion and post‑punk hallucination”

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The Scapegoat's Agony by Coma Beach cover art

““The Scapegoat’s Agony' — Coma Beach’s razor‑sharp blast of punk catharsis and existential turmoil”

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In My Head by Wooden Crates cover art

“A crunchy punk track about political differences between two people become moral differences that can't be overlooked.”

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I Won't Listen by Coma Beach cover art

“Coma Beach’s 'I Won’t Listen' cuts like shards of broken glass — four violent jolts of punk rock refusal and post-punk gloom.”

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